Clement Rage
Pro Adventurer
This is a strong possibility, but it's a hell of a lot of setup to just throw away. They have at least setup conflict with Wutai over the Magnus materia, and the huge materia plotline is a part that actually does need some punching up, so my bet is still 'short intro before they go north, and then later get back into it in place of the Huge materia plot.' All this setup has created something very very difficult to write,I personally expect the Wutai-Shinra subplot to go absolutely nowhere tbh. Or rather, that it's practically over since Sephiroth revealed that he was Glenn all along.
It's basically a filler plot that serves as a distraction even within the story. And now that Rufus caught on to the fact that Sephiroth wanted to distract him with igniting a war, it makes sense for him to shift priorities back to Sephiroth because if he wants Shinra shaken off his tail so badly he almost staged a large-scale conflict then maybe that's a tail that you should get back on immediately.
And then Meteor happens and then people have bigger things to worry about than war. Which is precisely why it will happen after the crater, because in my opinion Meteor needs to take the wind out of the sails of this subplot because I believe they never had any intention in adding this massive new conflict to the story of FFVII and they're just gonna resolve this with a wet fart ending.![]()
On one hand: Wall Market was also very very difficult to write in Remake, and this writing team nailed it.
On the other: The Whispers were massively built up and then mostly dropped.
So why is there a cold war if Wutai is so very outgunned? Cold wars happen when the consequences of a hot one are too high, but Shinra is by no means afraid of going to war with Wutai, the leadership is actively trying to bring war about, and it's not made clear why they haven't already given that they very much want it and are not afraid of Wutai. Even public opinion seems on board with the war, so what was holding them back from it?No one ever said anything about them being in the center of a war... literally the whole reason that the Turks are there is because the powder keg HASN'T kicked off yet, and the reason for their vacation there is that it's looking likely like it'll be the last time they'd get to unwind there BEFORE everything goes to shit if things keep escalating along their current trajectory back towards open conflict.
My comments have all been that the current "peace" that's really more of a cold war between Wutai & Shinra that's been escalating back towards a state of open war ever since Shinra blamed them for the Reactor 01 explosion is reaching a breaking point. It's even been acknowledged that the peace itself is basically not a true reflection of the reality of what's happening between both sides during the aftermath of the Nibelheim Reactor mission. That breaking point and Wutai being massively out-gunned is the whole reason why Yuffie needs to get Materia to her people, and why the Magnus Materia as a weapon to counter Shinra is what she's been after. Wutai is essentially in a position where they're being forced to use the weapons of the enemy in order to defeat them, otherwise they're going to be helplessly outgunned, and all of the honor in the world won't save you against those odds.
Glenn's broadcast was the declaration of war, literally. It's already begun.
So what's your theory on how Corneo escaped a crowded, enclosed arena riding a giant monster that without squashing half the audience or opening any doors?The comedic nature of something doesn't mean that it's inherently lacking any logic, and that all storytelling integrity just gets thrown out the window. The writers know the pieces that they're playing with, and it works to create the sense that Corneo isn't a huge priority for the Turks, but they're still close by what he's doing, as well as that he's got a significant lack of stability or other reliable assets to build from.
X-Soldier said:...that's not "whitewashy" it's LITERALLY the history of real-world post-war Japan.
Rufus puppeting the New Wutai Government as "Viceroy Sarruf" while leaving them under a powerless Godo with Wutai being turned into a tourist trap, while Don Corneo kidnaps women to use as disposable sex slaves is because – during the American Occupation of Japan, the Supreme Commander General McArthur was largely viewed as being a re-establishment of Imperial Shogun rule with the Emperor reduced to nothing more than a figurehead, the country was forced to be open globally and became dependent on tourism to support its modern economy, and sexual exploitation of the local women was EXTREMELY rampant. The occupation was openly compared to outright colonialism, especially since America had even tried to eliminate the Japanese alphabet entirely during that time – which is why everything in modern Japan still has so much English text mixed in with everything.
That was also a reflection of just how unbelievably fucked up that Imperial Japan was to China during the preceding Second Sino-Japanese War which in China is known as the "War of Resistance Against Japanese Aggression" as those are BOTH reflected in what Shinra is. It is as much the colonial occupying American Empire in Japan as much as Imperial Japan was to China. This is why Wutai emphasizes racism & prejudice that exists in both ways, because as much as it is Japan looking at an "other" it's also looking at a reflection of itself (which gets even more emphasized with everything in Deepground's emphasis on troops often gleefully committing emotionless murder of countless innocents, akin to things like the Nanjing Massacre).
Hang on, those two things are not the same.
Um, okay, how to tread carefully here.
Macarthur did preserve elements of the militarist right because he thought they would be useful against the Soviets, but the entire nationalist movement did not have to be created and controlled by him. He was not preserving them so he could kill the US President and take his place.
There are considerable differences between the scenarios (no China or Soviet analogue, for a start) making this kind of direct parallel unwise, especially given how sensitive this history is. There was no second war between Japan and the US where Japan's government was being secretly run by the US President in disguise. If the US President tried to do that by stealth via a handful of Secret Service agents and soldiers, it would not work.
Historical parallels are tricky, but the bits that don't match are as important as the bits that do. OG Version, we have Yuffie representing the militant wing of Wutai (a nice subversion of expectations, because the audience expects the teenage girl rebel to be the peace loving person rebelling against tradition, but no, she's the hardcore traditionalist who wants to make Wutai great again by rearming). It's one of the most brilliant pieces of characterisation in the game.
Changing her position to be due to foreign influence/control via the SRC leadership, undermines that arc, because she's now been tricked by foreign forces into holding that position. The issue I have with that is the potential to undermine the agency of Wutai by having the bad position be due to foreign influence, undermining the idea that Wutaians can think for themselves and have bad ideas outside of foreign influence.
Japan had (and has) plenty of militarist people who are not puppeted by foreigners. If the game for some insane reason really tries to glaze the Japanese nationalists by attributing the things they did to foreign influence, well, the end result will be to upset a lot of people. That would be why making the militarist Wutai faction firmly controlled by foreigners is potentially problematic if we do draw the realworld parallel.
Cultural context is important, but it's not so determinative that writers from one place can't write outside of that, so I would be very cautious of assuming, this story is from this culture, therefore they must be doing exactly this parallel. I don't think that level of confidence is justified, because people can and do write from outside their own perspective if they are any good. Godo's pagoda isn't some grand commentary on culture, it's just ripped off from Game of Death.
A realistic setup would be too complex to put in the game, of course, but the shortened mulched together version does a disservice to the complexity of the real situation, and even if it was tried would be very very difficult to do sensitively and would be best avoided in this kind of game because of the potential for causing genuine hurt to real people.